Oy Lafoy Ltd

	ARRI TRUE BLUE True Blue by ARRI is the newest generation of ARRI’s lighting product range, representing an unprecedented evolution of studio and Tungsten fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from respected lighting professionals, combined with great advances in technology, ARRI introduces a selection of highly innovative lampheads with over 30 new improvements for studio and location lighting.
	ARRI Junior 150-5000 The ARRI Fresnel series is ideal for use where compact, light weight tungsten Fresnel spotlights are required. Arri Fresnels are the perfect solution in small studios where grid height is a problem. Despite the small size, short focal lenses with wider angles give more light output.
	ARRI Miniflood / Minicyc 1000W Particular designed for Studio use but also for Location where large area coverate is required. Light is emitted from virtually the entire frontal rectangular area and, as a result, the units can be positioned close together to light large areas when required.
	ARRILITE 600 -2000 The ARRILITE Series is an open face, focusing tungsten floodlight ideal for ENG, field production and fast turnaround location use. The special designed reflector gives a balance between controllability, efficiency andprovides an exceptionally even field of illumination.
	ARRI Studio 1000 - 24000 ARRI Studio Fresnel series is the ideal choice for TV and Film studios Where tungsten lampheads are required. The large short focal length lens sizes provide optimum even light output. Arri StudioFresnels are available in both manual and Pole Operated version.

	ARRI True Blue Following the introduction of the True Blue tungsten lampheads, ARRI is proud to present four new products making up the True Blue Daylight series – all offering the same innovative features and award-winning design. Building on the success of the industry-standard ARRI Compact Fresnels, the new D5, D12, D25 and D40 have over 30 new improvements.
	ARRISUN ARRISUN is the working horse on location. Whenever punch or bounce light is required on a set, an ARRISUN is the ultimate answer.For the first time the interaction of lamp, reflector and converter lens was taken into consideration and computer simulated, resulting in unmatched light.
	ARRI Daylight Compact Where Fresnel spotlights with daylight characteristics with compact size, high efficiency and lightweight is required, the ARRI COMPACT Daylight Fresnels are is the preferred choice. ARRI´s elegant modular construction, offers great structural strength and weather resistance.
	ARRI Daylight 18/12 kW The Daylight range using Double-Ended daylight lamps has been the main stay of the film industry for many years. ARRI AD Spotlights have the largest lenses in their class and the finest light Distribution so far.
	ARRILUX "Pocket Par" Enjoy the freedom to apply superior light output where higher wattages lights were previously required. The low heat Pocket Pars are ideal where space is limited and for close up or more difficult, confined set-ups.
	ARRI X Lighting large areas with daylight has now been made easier with the ARRI X Series. Wide beam angles of up to 125° allow flat surfaces such as buildings or scenic backgrounds to be lit evenly with a short throw.
	ARRIMAX 18/12. ARRI’s exciting new fixture design provides an optimum choice for productions requiring maximum light output. Combining the variable beam spread of a Fresnel and the light output of a PAR, the ARRIMAX uses a unique reflector concept for beam control which eliminates the need for spread lenses.
	Arri Ballast For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. Since then, the range has developed into the reliable, robust and efficient components recognised world-wide as the industry standard for film, theatre and events.

Studio Cool

ARRI goes "Cool" With the ARRI STUDIO COOL Series ARRI introducesthe most flexible studio fluorescent lighting available. The designutilizes the latest lamp and reflector technology. A single STUDIO COOLlamphead will accommodate standard 55W tubes.

	ARRI STUDIO CERAMIC 250 Ceramic technology provides an interesting solution for professional lighting designers. ARRI fixtures designed with this technology dramatically reduce transmitted heat, provide 3200K light, offer long lamp life and draw minimum power
	ARRI X Ceramic 250 ARRI Lighting introduces the new ARRI X Ceramic 250 at this year’s IBC and CINEC. Based on the new Ceramic ST 250 HR lamp from Philips which provides 3200K Tungsten equivalent light from a discharge lamp the new ARRI X Ceramic 250 is the perfect fixture for smooth and cool background and fill lighting.
	INTENSIFIER for ARRI X CERAMIC 250 The Ceramic Intensifier is constructed as a flared mirrored box. This pattern creates additional light output as a result of multiple reflections.

Arri MaxMover

A new ARRI automated stirrup, MaxMover, offers remote pan, tilt and focus for large lighting fixtures. Most large fixtures in your inventory can be fitted to the MaxMover and mounted on boom arms, tall platforms, or in hard-to-reach positions.

	PAX LED Solutions Arri Lighting is inroducing PAX LED lighting kits with true match LED technology. Natural Light charecteristics, endless colors and a field proven kit setup supports your work wherever you take it.
	ARRI LED Background Lighting System A collaboration between ARRI Cinetechnik in Stephanskirchen and Color Kinetics in Boston U.S.A. has expanded the possibilities of using LED technology for background lighting in combination with projection screens in TV studios. The introduction of the LED Module BLM25 RGB, consisting of 18 high power RGB LEDs,
	LoCaster & BroadCaster LED Panels Sales Promotion Proving that high quality LED light sources need not break the bank, prices for our new ARRI Caster series LED panels, which offer tuneable white light for broadcast applications, will start from just 949,-EUR (international list price).